Previous Issues
Editor
Leslie Andersen
Managing Editor
Lora Matthews
Melissa Goldsmith
Reviews Editors
Vol. 1, No. 2/3, Fall-Winter 2003
Editorial
William H. Rosar. Bernard Herrmann: The Beethoven of Film Music?
Herrmann Studies · James Wierzbicki, Editor
Thomas DeMary. The Mystery of Herrmann's Music for Selznick's Portrait of Jennie
Ronald Burbella. A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie
E. Todd Fiegel. Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still
James Wierzbicki. Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much
David Cooper. Film Form and Musical Form in Bernard Herrmann's Score to Vertigo
William Wrobel. Self Borrowing in the Music of Bernard Herrmann
Reviews
Richard Littlefield. A Heart at Fire's Center: The Life and Music of Bernard Herrmann by Steven C. Smith
Melissa Ursula Dawn Goldsmith. Meaning in Film: Relevant Structures in Soundtrack and Narrative by Dominique Nasta Rika Asai.
Sound and Vision: 60 Years of Motion Picture Soundtracks by Jon Burlingame
Eric Hung. The Cartoon Music Book, edited by Daniel Goldmark and Yuval Taylor
K. J. Donnelly. Soundtrack Available: Essays on Film and Popular Music, edited by Pamela Robertson Wojcik and Arthur Knight